Fred gaat naar de apotheek

Fred gaat naar de film

At Work VI

Komende: Fred Gaat Naar De Film, Fred Is Advocaat, Fred heeft een sl***** ***m, Fred Heeft Een Sexshop, Fred Is Vuurtorenwachter, en Fred Is Ontdekkingsreiziger, en meer.

A Picture Of A Naked Lady

I am a little bit occupied with things and so, so here is a picture of a naked lady with tiny tits. Sorry about that.

Fred vindt een robot uit

A very early Fred. A youth sin, so to speak.

Fred verkoopt encyclopedieën

An old Fred, as an encyclopedia salesman, in color.

At Work V

Panel.

At Work IV

Patching up some old work.

Fred gaat naar de spermabank

Fred gaat eten kopen

At Work III

Fred gaat naar zijn werk

Fred gaat uit eten

Fred gaat solliciteren

Donald Duck V

 

A drawing of Donald Duck and Neighbor Jones in a Bob Hebberd setting. Drawn with a Joseph Gillott Lithographic Pen 290 on 120 g A4 paper. Some details.

Donald Duck IV

A drawing I did a few years ago of Donald Duck and two nephews, Louie and Dewey, or Huey, or who, drawn with Joseph Gillott’s Lithographic Pen 170, Joseph Gillott’s Superfine Long Shoulder Crow Quill 850 and a Pergamano Tracing Pen on papier dessin à grain Clairefontaine 180 g (83 lb) in 136 x 88 mm. The photo in the background is Butterfield House 37, West Twelfth Street, between Fifth and Sixth avenues, West Twelfth to West Thirteenth Street.

Donald Duck II

Two drawings I did a few months ago of Scrooge McDuck, on papier dessin à grain Clairefontaine 180 g (83 lb), with Joseph Gillott's Lithographic Pens 170 and 290, and a Pergamano Tracing Pen. The figure in the first one was drawn after Barks.

The background of the above drawing is, somewhat altered, done after a Doré engraving for Dante's Divine Comedy (Canto 7), the grand poem about heaven and hell he wrote to honor his love, but in which he, somehow, happened to spill lots of his talent detailly describing the tortures of people he did not like.

Donald Duck I

A drawing I did some years ago of Donald Duck and Huey, Louie and Dewey, and Uncle Scrooge, on 120 gsm A4 paper, with Joseph Gillott's Lithographic Pen 290, a Pergamano Tracing Pen, and a Plume Atome 423 (Conté France).

I used an old etch of the Thames Embankment by the nineteenth century artist Willem Witsen as an example for the background of Donald and the nephews ([Regen,] Thames Embankment, 1890). The building behind Scrooge I recently found back in Stern's, Mellins' and Fishman's New York 1960 (New York, The Monacelli Press, 1995). Apparently it is Kips Bay Plaza, First to Second Avenue, East Thirtieth to East Thirty-third Street.

It is an old drawing, and it has some faults in it, but I still like the details. I remember I mainly drew it from a photo from a photo from a book in the library, returning two times to learn the details by heart, because I was a poor little fuck. Not because I am into that avantgarde shit, or something.